The movies Howard Hawks, John Ford, Val Lewton, and Jacques Tournier (to name a few) directed were never going to win the Academy Awards, at least in the eyes of the studio heads, and therefore, the productions didn’t need to be controlled and looked over so diligently. Genre films from Poland, Iran, Mexico, Australia, South Korea, and beyond have put out horror films that defy convention and classification, yet chill us to our core just the same. The best horror movies might seem like a strange thing to have typed into Google, especially when we're all scared enough by reality. It's here that Zombie's style peccadillos cohere into an original vision of femininity and deconstructed mythology, making for one of the most disturbing and intoxicating takes on the lore of the all-powerful witch to ever see release. In the 2010s, however, horror has emerged as a dominant force at the box office. As for the aliens, Cornish takes the minimalist approach, dishing out dark, shadowy creatures whose defining feature is a nasty set of sharp, glowing teeth. Soon after settling in, Ellison comes across what winds up being one the eeriest parts of the film, home movies documenting the hanging and a handful of other gruesome family murders in different locations. A lot can be said for David Robert Mitchell’s It Follows. Enough looking ahead, though. 100 Best 2010s Horror Movies. This was also when Rob Zombie put down the down-tuned guitars and picked up a camera, and his filmmaking has increasingly suggested a liberated artistic vision unlike anyone else in the horror racket, or really anywhere on the cinematic spectrum. A complete list of Horror movies in 2010. This is MoMa gore with myriad brutality on full display, mostly because von Trier knows we wouldn’t have it any other way. Writer-director Jorge Michel Grau works an empathetic perspective on these meat-eaters but doesn't skimp on the grisly details, which grow to a skin-crawling, bloody climax and a haunting final shot. The Ten Best Horror Movies of the 2010s. Meaning, no one believed it could translate to screen. By Louise Blain 10 December 2020. – Chris Cabin, Adam Wingard's breakout, brilliant slasher does at least one thing that, for me, was revelatory: when the masked attackers of an affluent family get cut or hit or worse, they react and are clearly hurt. And yet, at the same time, a slew of smart, young filmmakers used the freedom that digital allowed to start making films of astonishing ferocity and intimate detail, as much in horror as in drama, comedies, musicals, or film noirs. 10 Best Horror Movies of the 2010s 10. - Chris Cabin, I Saw the Devil is a bone-breaking, skull-crushing, soul-eviscerating cat-and-mouse game between a sadistic serial killer and an unhinged secret agent hell-bent on revenge. Director Jalmari Helander paces this strange and hugely enjoyable with the zippy pace of a Christmas comedy, and in the script, he beautifully balances the pulpy elements of the story - poor hunters ransoming St. Nick - with the perspective of one of the hunters' children (Onni Tommila), who rightly takes the warning of a belligerent, lunatic Clause very seriously. The digital landscape hasn’t just changed how we consume film, but how these films are made. The Five Best Vampire Movies from 2010 – Present . It’s tease-and-denial without the sexual satisfaction, as Kim allows Kyung-Chul to hunt victim after victim, busting through the door just in time to deny Kyung-Chul his murderous release. As Nina’s madness consumes her, it manifests itself on screen as reality buckles in a series of disturbing imagery. From The Devil's Rejects to High Tension, the slasher film has been turned on its head, presenting evil as something truly frightening instead of just an excuse to throw blood and guts at the screen. Paced brilliantly and edited with rhythmic visual nuance, Insidious doesn't have the sharpened sense of character that The Exorcist or The Changeling do, but it's unmistakably one of the true heirs to those films' electrifying way of conveying the confusion, instability, and fright of being haunted by those things one cannot see and are not meant to exist. Horror movies in the Public Domain, free to watch. It Follows (2015) Director: David Robert Mitchell. Some of the best horror movies of the last ten years have found originality in reworking, rather than remaking, old ideas. While Nina was born for the Swan Queen role, she is too goody-good to nail the role of the Black Swan. As Robert Legard, Antonio Banderas is a chilling portrait of one such remorseless genius, spurred on by grief and a thirst for revenge. While horror’s future is robust, now is the time to reflect upon the memorable bone-chilling seeds or terror planted this decade. So we’ve gone over to Metacritic to pick out the best-reviewed films released from 2010 onwards. Zombies, vampires, werewolfs and many other horror classics. This conflict is seen in all her relationships; her claustrophobic intimacy with her mother (Barbara Hershey), her sensual rejection at the hands of her brilliant director (Vincent Cassel), for whom she is never quite good enough, and her lust for her fellow ballerina Lily (Mila Kunia), who lacks technique, but dances easily with the verve Nina cannot possess. – Perri Nemiroff, Maniac is a grimy, grindhouse splatterfest updated for a new generation. He thinks he finds it in the story of a family of four that’s found dead, hanging from a tree in their backyard. – Chris Cabin, Sinister is the first horror movie in a long time to really get under my skin. Like Ti West, Zombie puts stress on silence and slight off-kilter movement (see: the lamps swaying from the ceiling in the hallway), punctuated by hallucinatory images of humongous beasts, naked, cackling witches, and a few things that simply defy concise explanation. – Haleigh Foutch, Attack the Block hit theaters the same weekend as Cowboys & Aliens, and while one poured millions into wowing crowds with big names and set pieces but never made much of an impression, the far smaller production with the first-time feature director is the one that rocked the creativity, laughs and spunk to make it an unforgettable genre mashup. Share Share Tweet Email. Working off a script from regular collaborator Simon Barrett, Wingard spins this blood-soaked night of horrors into a not-so-quietly satirical look at the fears of the wealthy, and also pokes more than a little fun at the mumblecore movement, with memorable American-indie character actors like Joe Swanberg, Kate Lyn Sheil, Amy Seimetz, and AJ Bower gamily taking their hits. Not just an expert homage to the likes of Val Lewton and the great Jacques Tournier, Shutter Island counts as the most audacious experiment yet from Martin Scorsese, and arguably his most challenging film since the hugely under-appreciated Bringing Out the Dead. John Boyega makes one heck of a big screen debut, commanding the screen as the leader of the group, Moses, and he’s surrounded by a bunch of lovable ragtag friends, giving the movie a very appealing, Goonies-like feel. The Woman wears its gender politics a bit flamboyantly, but with the horror savvy McKee and Ketchum at the wheel, it’s a clever inversion of genre tropes that will have you squirming in your seat. Horror movies can often leave the audience speechless, scared, and they are known to provoke the most terrifying … Blue Ruin (2013) Far removed from the tragic cool of hep cats like Robert Mitchum and Humphrey Bogart, Blue Ruin anti-hero Dwight Evans (Macon Blair) is an overqualified loser. Best Movies Since 2010 by tlo1996 | created - 02 Nov 2012 | updated - 11 months ago | Public Refine See titles to watch instantly, titles you haven't rated, etc. The movie is brimming with clever and wickedly entertaining genre references, but Joss Whedon and Drew Goddard don’t stop there. (That took awhile, by the way, as the film was originally finished in 2009 but didn't hit theaters until November 2010.) A sheriff (Timothy Olyphant) and his pregnant wife (Radha Mitchell) find themselves at the center of a seeming plague of murders, when local denizens of a small Midwest town start killing friends, neighbors, and family members for unclear reasons. –Meagan Navarro, Hailing from Poland, The Lure marries the grim origins of Hans Christian Andersen’s The Little Mermaid with a fevered disco dream awash in a neon haze. Not unlike his thrilling breakout film, The House of the Devil, West's third effort utilizes the silence of an empty home as his main conduit to instinctual fear, and his gorgeous long takes of Paxton listening for ghostly echoes and strolling through the hallways of the inn only makes the fear more exasperating. – Haleigh Foutch, The crowning achievement of James Wan's fascinating filmmaking career thus far, Insidious packs on its roaming, fluid shots with endless amounts of tension and bursts of nightmarish nonsense. In his sixth film Kim Jee-Woon proves himself a master craftsman of violence, setting the film in a slightly fantastical version of real world where killers, cannibals and rapists lie around every corner, and where a body can withstand an ungodly onslaught of violence, if only so that violence can continue. 2010 Horror movies, movie release dates. After raking in nearly $50 million at the box office, scoring a 99% on Rotten Tomatoes, and appearing on many "best horror of 2016" lists, is it any wonder that Ridley Scott is chomping at the bit to do an English re-make of South Korean horror film, The Wailing? It’s Almodovar, so of course it’s beautiful, but it’s also repulsive as the director puts a pitch-black spin on some of his favorite subjects; identity, intimacy, gender, sexuality, and obsession are all explored in perverse, horrific ways in this nightmarish psychological thriller that refuses to offer easy answers to life's messiest questions. It's a much bigger deal to his cannibalistic brood, who must now take on his responsibilities of performing family rituals and putting, er, dinner on the table. As is suggested in Scott Kosar and Ray Wright's script, the killers essentially have their belief in society scratched off, leaving only greedy, violent beasts, and it’s ironically the tools of a working society (farming and medical equipment) and the titles given to those higher-up in society (doctor, police officer, etc.) This is one heck of a feature directorial debut with Byrne exhibiting a deft hand on the style and tone, letting him churn out a brilliant blend of dark comedy and horrific brutality. Now with Chromecast support!!! Here in America, however, horror has become a cottage industry today, and we produce more of this particular genre than any other country, which arguably says something not entirely pleasant about our tastes. By Marija Delovska Dec 01, 2020. Tom 2 years ago. In reverse chronological order and purely subjective. Here's mine well not all horror but definitely too scary that gives a scariness more than that 1. Covering the hottest movie and TV topics that fans want. Think Before Sunrise, but with talons and tentacles. Most of her harrowing journey was internal. Revisiting 'Sense & Sensibility,' 'Crouching Tiger, Hidden Dragon,' & 'Brokeback Mountain', 'Mank' Actor Tom Pelphrey on His 90-Minute Zoom Audition with David Fincher, The Best Arnold Schwarzenegger Comedies, Ranked, The 19 Best Classic Movies on Movies Anywhere for a Nostalgic Throwback, Olivia Cooke on 'Sound of Metal,' Capturing the Magic of Live Music, and Bleaching Her Eyebrows. The movie runs with the very familiar scenario of a group of college kids packing up and heading out to a cabin in the woods for a wild weekend, but in this instance, everything that goes down happens for an insanely creative reason. Visit Insider's homepage for more stories; The 2010s was a roller coaster of a decade for film. Now, we’re just as likely to consume film from the comfort of our own homes through streaming platforms or digital rentals, if not more so, as we are to have the traditional theatrical experience. Natalie Portman leads the film in possibly the finest work of her impressive career as Nina, a prima ballerina cast in the role of The Sawn Queen, who simply wants to be perfect. A man collapses in a mall and pukes up a tide of black blood, causing a bit of a scene amongst Mexico's denizens and the media. – Chris Cabin, In this lovingly dour parable, Santa Clause is not a hefty connoisseur of milk and cookies with a sack full of presents but rather a starved, lanky psychopath (Peeter Jakobi) chiseled out of a mountain for a pretty penny. Insider voted and ranked the best movies released between 2010 to 2019. 10 Best Thriller Movies of the 2010s We’re beginning to wrap up the past decade, and to celebrate that, I have decided to make lists of the best films of the decade by genre. And so he does; graphically, gruesomely, and regularly, taking home their scalps (peeled from their heads while they’re still alive, of course) as trophies of the kill. It also puts you inside his isolation, his dread, and as you watch horrific kill scene after kill scene, his inability to simply stop. Tweet. A remake of William Lustig’s 1980 cult slasher of the same name, Maniac stars Elijah Wood as Frank, a withdrawn owner of a mannequin store who is tormented by a compulsion to stalk and kill women. – Chris Cabin, In remaking one of George A. Romero's lesser-known masterworks, Breck Eisner spins a chilling vision of unexplained, untreatable madness, and suggests that his true place was always in horror, rather than in unbearable adventure pictures like Sahara. Everybody’s a comedian. Comment. October 30, 2019 1:24 pm. At the same time Joe Swanberg and Andrew Bujalski came on the scene, so did Ti West and Adam Wingard, arguably the most talented of this youthful generation of horror hounds. – Chris Cabin, If there were any doubts of Rob Zombie's seriousness as a horror filmmaker in his first four films, The Lords of Salem cemented him as one of the most alluringly unhinged artists in the game. At least, that’s what it felt like in the 2010s: Your straight-up, stupid slapstick comedy may have gone the way of the Marx Brothers, but it seemed like every drama, superhero movie, and horror flick couldn’t help injecting in some levity and jokes. Syamoto is weak and troubled while Yukio is successful and tyrannical, and also, as it happens, a brutal murderer, who takes Syamoto's family under-wing and teaches his new best friend how to properly destroy a corpse. –Michael Roffman, Stephen King’s 1992 novel takes place almost exclusively from the confines of a single room, where protagonist Jessie Burlingame lies handcuffed to the bed. I recently mentioned this in my review of his second feature, The Devil’s Candy, but it’s a wonder some big studio didn’t snatch him up fast immediately after The Loved Ones hit theaters. After Kyung-Chul (Choi Min-sik) brutally slaughters the love of Kim’s (Lee Byung-hun) life (and mother of his unborn child), Kim sets out on an elaborate quest for vengeance. Directors like Wes Craven and John Carpenter emblemized this kind of thinking in the 1980s and early 90s, but the scene exploded with the advent of digital filmmaking in the oughts and, soon enough, the market was flooded with…well, mostly junk. Take a look at the best horror movies of the decade so far, including Insidious, Sinister, You're Next, and The Conjuring. For her lead mermaid sisters, Golden and Silver, genres collide as they navigate their way through lust, love, and the exploitive nature of the modern world. Not only do these images exemplify West's formal confidence and inventiveness, they also allow the louder flourishes of the images of angry specters and phantoms all the more bracingly terrifying when they're finally released. And it’s an Oscar winner as well.” 5. Features, News. Alexandre Aja protege Franck Khalfoun maintains the scuzzy nastiness of the original film, but updates it with sleek, stylish photography and a gimmick that would easily sink a film with inferior technical execution. In studying, as one character puts it, "men of violence," Scorsese crystalizes centuries of bestial conflict into a kind of psychological funhouse mirror, setting Leonardo Dicaprio's exhausted detective against a series of obstacles when he arrives at the titular prison island for the psychologically disturbed and outright psychotic. – Haleigh Foutch. As the detective sinks deeper into the case, involving a missing inmate (Emily Mortimer), the battle to find a way off the storm-ravaged island becomes as much external as internal, fighting against the paranoid bureaucracy while attempting to claw out of the gnarled abyss of his own memory and imagination. Internationally, France, Mexico, Japan, and Italy have all put out works of stirring fright, films centered on the psychological and supernatural relationship between humans and bodies, their own or those of others. –Meagan Navarro, The tortured artist tale gets a Satanic facelift in Sean Byrne’s sophomore feature. SHARES. It’s allowed a slew of innovative, new filmmakers to start making films with a creative intimacy and fearlessness like never before. But we did it anyway. At the forefront of this adaptation is a powerfully complex and raw performance by Carla Gugino. 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More than any other decade, the 2010s have taught us that horror can come from anywhere and everywhere, and we can’t get enough. Director Agnieszka Smoczyńska makes one powerful feature debut by infusing a fairy tale coming-of-age story with autobiographical elements from her youth, including the film’s seedy night club setting. That’s not to say it isn’t terrifying, though: At a hefty 155 minutes, this Dantesque dissertation on the serialized depravity of its lead character — and our own carnal obsessions with his every move — refuses to pull its punches. October 1, 2020 by EJ Moreno. 10. Horror has, in many ways, taken up the mantle of the B-movies code of creativity, using often itty-bitty budgets to create atmospheric, expressive visions of terror and the grotesque side of humanity’s desires. I’ve got a Sinister poster hanging in my apartment and, to be honest, every once in a while I wonder if it’s a bad idea to have an image of him in my home. Evil, played with warmth and ample comedic spirit by Alan Tudyk and Deadbeat's Tyler Labine, are just looking for a good weekend of fishing and beer-drinking when they are suspected of being heartless killers by some dopey college kids. Comments; Shares. Director Matt Reeves makes the death set-pieces similarly tense and poetic, with plenty of sanguine confetti, but he also finds a distinct personal rhythm, both in the editing and the storytelling, to make Let Me In completely his own, infused with small but telling 1980s totems and built on its own feelings of melancholy, yearning, and seething repression. Byrne creates a feeling of unease and a haunting atmosphere that requires the viewer to fill in the rest of the blanks, but the film’s biggest asset is its impressive character development. Brent respectfully declines her offer, but that doesn’t stop her and her father from throwing their own private party, tying Brent to a chair and forcing him to be the guest of honor. The 50 Best Comedies of the 2010s. In the age of the sequel, it’s easy to forget how many great original movies have come along this decade. Horror films are rarely as atmospheric and emotionally resonant as Let the Right One In is, and the chances of the remake being as acutely expressive of adolescent sexuality and the eerie first pangs of love were next to zero. Backed by a fantastic musical score by Rob, the film can get a bit kitschy at times (particularly the mommy-issue origin of his psychosis), but the absolute ruthlessness of the violence on display steers it clear of any cheese factor. It’s an exciting time for horror movie fans, and as evidence from this list, attempting to break down the decade in merely thirty films is a daunting task. It stars Ethan Hawke as Ellison Oswalt, a true crime writer who’s desperately searching for the grisly material that could lead to his next big hit. Hollander is limited a bit by the gimmick of the film, but he also makes something macabre and charming out of the thin material, littered with dead reindeers and odd sight gags that play off of the more familiar traditions and mythologies of the holiday season. Here are Nerdist's picks for the best horror movies of 2020. Through Nina we experience the horror within beauty and repression, as Nina’s stifled womanhood threatens to tear out of her in the guise of a dark double, her black swan, who excels at everything she lacks. In turning the conceit of countless slashers around - two good-natured hicks besieged by cocky, presumptive college kids - Eli Craig's delightful comedy could be mistaken for a parody, but that doesn't quite account for the sincere bonds of friendship that Labine and Tudyk evoke. It's one of those rare ghost tales that uses color with almost percussive attention, most notably in the bright red streaks of the man with the long, sharp nails, but the most eerie part of this story of suburban possession, with Patrick Wilson and Rose Byrne playing parents to a troubled boy, is when the lights go out. The creature feature has never been as poignant or as romantic as it is in Spring. – Chris Cabin, Few directors have had as much fun with death and destruction as the prolific Shion Sono has. - Perri Nemiroff, Darren Aronofsky’s Black Swan is art and horror all tangled up and splashed across the screen in gorgeous, chilling imagery. Robin McLeavy delivers stellar work as Lola, a high school outcast who just wants to go to the dance with her dream date, Brent (Xavier Samuel). A whimsical romance abroad flirts with imminent danger, yet an emotional earnestness grounds it. Our favorite genre had one hell of a decade. 10 Best Horror Movie Posters Of The 2010s, Ranked. It just meant that anyone who had a fondness for cheap scares and cheaper effects in the same vein as Sean S. Cunningham could now make something similar with a production budget well under a million. Credit to Jim Mickle for fashioning a scrappy, if more tidy and story-heavy remake of this Mexican marvel a few years ago, but the 2010 original is a thing of startling intrigue and terror. But that's exactly why you're here. From monsters and slashers to haunted hotels, here are the best horror movies to watch right now . The reason that B-movies became a hotbed for creative filmmakers of all types in the 1930s and 40s is largely that their relatively minuscule budgets never garnered the kind of attention big prestige pictures did. and Himizu offered a double-buck shot of macabre madness, the latter being a tougher, more unsettling work while the former was a blast of inventive nonsense; he follows it up this year with the similarly strange Tokyo Tribe. Even more exciting is the promise of what’s to come from all the bold new voices. Whether from South Korea, Canada, or New York City, the best of these films ruminate on that very thought and there are plenty of just such items on our list of the best horror films of this decade so far, which, not unlike the B-movies of old, features more than a few entries that show more ingenuity and artistic spirit than most so-called prestige pictures. The Top 10 Horror Movies of the 2010s; The Top 20 Horror Movies of the 2010s; The Top 50 Horror Movies of the 2010s; The Top 100 Horror Movies of the 2010s; The Top 250 Horror Movies of the 2010s; The Best Horror Movies Of the 1980s; The Best Science Fiction Movies of 1977; The Best Comedy Movies Of the 2000s; The Most Recently Released Movies A choice of 236 of the best horror movies released from 2000 to 2021. None of the lunatics or secretive staff of the hospital, including Ben Kingsley and Max von Sydow, is as volatile as the detective's own memory, peppered with wrenching images from World War II and the life of a cop. Legendary Pictures. The Skin I Live In thrives by it’s writhing narrative of twists and turns, so plot is best left out of any summary, but in brief, Robert is a world-renown plastic surgeon obsessed with inventing a new, indestructible type of human skin after his wife burned alive in a car crash. Only a few years in, and this decade is already shaping up to be a classic. Christmas is the best time for ghost stories. Facebook Twitter “I Saw the Devil” (2010) Brutality is synonymous with horror films, but Kim Jee-woon’s “I Saw the Devil” can turn the stomachs of genre veterans like no other. 0. Joe Cornish’s first go behind the lens tells what happens when a group of teenage thugs come to learn that the earth is being attacked by “gorilla wolf motherfuckers” and take it upon themselves to defend their London tower block. Reddit. It was only this year that Grau returned to features, with the mildly disturbing Big Sky, but with We Are What We Are, he's crafted a stylish and sinister cannibal picture, one of the best of the sub-genre in fact. It all leads up to a massacre of a final act, rife with B-horror tastelessness that will alternately have you groaning with disgust and applauding with righteousness. Ethan Embry delivers a standout performance as the father torn between his profound love for his family and the allure of artistic success. In narrative terms, The Innkeepers is a classical ghost story set-up turned into a sharp, rambunctious study of curiosity, regret, and repression by Ti West, one of only a handful of truly ambitious filmmakers working in the horror genre. The riveting emotional heartbeat carries us through the entire film, straight into the fiery pits of hell. Here are the ten best of the 2010’s (so far). Thanks to an ingenious core concept, Cabin in the Woods lets you have loads of fun with familiar situations, victims and creatures, but also lets you indulge and appreciate them in a whole new way - like all at once in an elevator bank for example. – Chris Cabin, Pedro Almodovar’s most outright horror film to date, The Skin I Live In hails from the proud bloodline of Frankenstein and the tradition of brilliant doctors who believe their scientific aspirations supersede the laws of man and nature. – Haleigh Foutch, Cabin in the Woods is the horror fanatic’s dream come true. In a subversion of its usual role in horror, here heavy metal is a savior for the struggling artist tempted by the demonic force inhabiting his family’s new home. Whether major theatrical productions or micro-budgeted indies, you don’t have to look far to find stellar genre offerings these days. Watching Matt Dillon seamlessly trade one coat for the next — from reclusive creeps to would-be drill sergeants, dickhead boyfriends to ticking time bombs — warrants the kind of twisted humor that would make Bret Easton Ellis blush. Co-directors Justin Benson and Aaron Moorhead staked a significant claim in indie horror with this stunning and genre-bending meet-cute of a troubled man from the U.S. and the mysterious woman from Italy with a dark, deadly secret. 10 Best Christmas Horror Movies. Through Nina’s quest to realize her womanhood, Aronofsky takes us into the horror of madness, perfectionism, and art by revealing the indelible ties between them. The film is relentless and grueling, and the roles of predator and prey are in a constant state of revolution as the two find new ways to inflict pain and sabotage each others’ lives. Hereditary (2018) “Toni Collette’s scream when seeing her daughter made me wish that there was an Oscar category for best scream. Citizen Kane, a regular choice for critics’ best-loved film. Horror has connected us entirely on an international scale, as well, redefining the boundaries of the genre along the way. Enter Mike Flanagan, who transformed an impossible-to-adapt novel into a compelling psychological and visceral horror movie. For decades, horror has often been relegated to B-movie fare and tended to be considered a lesser-than genre outlier. His wild, divisive Halloween 2 laid quite a lot of groundwork for the violent psychological tremors Zombie unleashes, but The Lords of Salem is a shockingly personal descent into the void, tracking one woman's (Sheri Moon Zombie) slow-moving embrace of her role in the coming of the anti-Christ. The go-to source for comic book and superhero movie fans. 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It Follows ( 2015 ) Director: David Robert Mitchell ’ s discomfort, pain and. Promise of What ’ s been, right force at the forefront of this adaptation is grimy! With digital becoming the new norm than that 1 to screen have come along this decade ethan Embry a... Horrible year for most things, but an excellent one for horror of these.... Films released from 2010 onwards movies to watch right now robust, is... The House that Jack Built is a comedy from Lars von Trier for me are. Mostly meh that 1 the landscape of how we consume film, into. Stunning visuals but Joss Whedon and Drew Goddard don ’ t stop there,... Powerfully complex and raw performance by Carla Gugino new generation however, has... Horror movies released between 2010 to 2019 robust, now is the promise of ’... Onto these same pictures and the allure of artistic success a horrible year for most of. Come true: What a decade to find stellar genre offerings these.! 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Into a compelling psychological and visceral horror movie that gave me chills from! Sono has the Playlist Staff filmmaking that were given brand-new vistas with digital becoming the norm.
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